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Solo/Chamber: |
Residual Ramifications [Doctoral Dissertation] (2007) |
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I - piano solo |
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II - ensemble (four or more players) |
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III - quadraphonic computer-realized sound |
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IV - double woodwind quintet |
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V - viola sextet |
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VI - counter-tenor, tenor, baritone |
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VII - [5:13] ensemble (realized for quadraphonic electronics) |
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VIII - [1:28] flute, glockenspiel, vibraphone, piano (MIDI recording) |
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IX - [7:21] piano with live electronics performed by Jonathan Haek |
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X - guitar duet |
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XI - [2:54] flute, glockenspiel, vibraphone, piano (MIDI recording) |
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XII - counter-tenor, tenor, baritone |
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XIII - trombone quintet |
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XIV - [2:14] double woodwind quintet (MIDI recording) |
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XV - [3:57] guitar duet performed by Robert Blatt and Daniel Lee |
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XVI - ensemble (four or more players) |
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Undulating Quantum Jitters and Pernicious Infinities (2003) - [10:26] |
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for Ricardo Souza - solo marimba
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performed by Miho Takekawa |
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Trio for High Winds (2002) |
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piccolo, oboe, e-flat clarinet, and percussion |
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Proximity (1999) |
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ensemble |
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Ptu (1997) - [0:46] (MIDI recording) |
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2 pianos, 4 right hands |
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Computer / |
Brink (2004) - [13:01] |
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Electronic: |
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for Sarah Carlson, choreographer - digitally processed sound |
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Reluctance (2004) - [9:39] |
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for Chalie Livingston, choreographer - digitally processed violin sounds
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Cover-up (2004) - [7:29] |
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for Daniel Linehan, choreographer - digitally processed glass sounds |
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White Space (2003) - [14:41] |
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for Kory Perigo, choreographer - digitally processed sound |
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pvSwamp (2003) - [5:32] |
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computer-realized sound |
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Five Dance Etudes (2003) |
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No. 1 - for Carolyn Pavlik - [1:37] |
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No. 2 - for Rebecca Jorgensen - [1:27] |
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No. 3 - for Daniel Linehan - [4:03] |
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No. 4 - for Kory Perigo - [4:14] |
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No. 5 - for Toby Billowitz - [6:21] |
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computer-realized sound and digitally processed sound |
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untitled (2003) - [3:20] |
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computer-realized sound |
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graphIIIp3 (2002) - [6:56] |
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computer-realized sound |
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Fragments in Generelativity [Masters Thesis] (2002) |
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1. Half One - The Beginning - [9:07] |
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2. Half One - Foundation - [5:28] |
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3. Half One - Three - [4:47] |
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4. Half One - Aria - [6:51] |
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5. Half Two - Page Turn - [9:11] |
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6. Half Two - Celestial Phasing - [4:51] |
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7. Half Two - 9/11 - [9:17] |
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8. Half Two - The End - [12:41] |
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digitally processed flute ensemble |
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Celestial Phasing (2001) - [4:54] |
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digitally processed flute ensemble |
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Vital Impulse (2001) - [3:06] |
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digitally processed flute and prepared piano sounds |
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Flute/Piccolo: |
Fragments for Four (2001) |
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9/1 - Presto possible - [0:16] |
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9/2 - Quasi presto - [0:05] |
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9/3 - Flowing; pensively - [0:22] |
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9/4 - Somber - [0:22] |
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9/5 - Carefully; crisp - [0:10] |
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9/6 - Pedantic - [0:53] |
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9/7 - Celestial - [0:39] |
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9/8 - Solid - [0:36] |
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9/9 - Light - [0:15] |
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9/10 - Sustained; monotone - [0:32] |
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9/11 - Fast; nervously - [0:06] |
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9/12 - Sustained - [0:38] |
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9/13 - Long; phasing - [0:45] |
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flute quartet performed by Addie deHilster, Jonathan Haek, |
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Valerie Watts, and Kristen Davies |
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The Cranky Quorum: Mutterings, Vexations, Whimpers, and Wails (2000) |
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performed by Addie deHilster, Jonathan Haek, and Kristen Davies |
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Tendencies (2000) - [1:16] |
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flute quartet performed by Jonathan Haek |
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Duo (1999) - [1:54] |
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2 piccolos performed by Kristen Davies and Jonathan Haek |
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Jungle Flute (1999) |
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flute solo |
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Trio Modulo (1999) |
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flute trio |
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